E2024-G101 - 편집 역사

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2025-10-11T05:28:50Z

‎Story Map

Lyndsey: /* Story Map */

2025-10-11T04:49:16Z

‎Story Map

Lyndsey: /* Narrative */

2025-10-10T11:21:56Z

‎Narrative

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2025-10-10T11:21:48Z

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2025년 7월 13일 (일) 10:00에 Lyndsey님의 편집

2025-07-13T10:00:10Z

2025년 7월 13일 (일) 09:59에 Lyndsey님의 편집

2025-07-13T09:59:30Z

Lyndsey: /* Narrative */

2025-07-12T09:19:06Z

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Lyndsey: 새 문서: NOTOC =Japanese Artist Tomiyama Taeko: A Voice Against Imperialism= == Narrative == ==Network Graph== {{StoryGraph2 | title= E2024-G101 }} ==Story Map== 분류:Story 분...

2025-07-12T06:48:32Z

새 문서: __NOTOC__ =Japanese Artist Tomiyama Taeko: A Voice Against Imperialism= == Narrative == ==Network Graph== {{StoryGraph2 | title= E2024-G101 }} ==Story Map== 분류:Story 분...

새 문서

__NOTOC__
=Japanese Artist Tomiyama Taeko: A Voice Against Imperialism=

== Narrative ==

==Network Graph==
{{StoryGraph2 | title= E2024-G101 }}

==Story Map==

[[분류:Story]] [[분류:이야기 조각]] [[분류:린지]]

@@ 22번째 줄: / 22번째 줄: @@
 ==Story Map==
-*[[S2024-G014| Global Witnesses: Foreign Eyes on Gwangju's Struggle]]
+*[[S2024-G014| Global Witnesses: Foreign Eyes on Gwangju’s Struggle]]
-** [[E2024-G085|Tales from the Outside: Foreign Witnesses' Accounts of the May 18 Democratic Uprising]]
+** [[E2024-G085|Tales from the Outside: Foreign Witnesses’ Accounts of the May 18 Democratic Uprising]]
 ** [[E2024-G096|Journalist Jürgen Hinzpeter: Showing the May 18 Democratic Uprising to the World]]
 ** [[E2024-G101|Japanese Artist Tomiyama Taeko: A Voice Against Imperialism]]

← 이전 판		2025년 10월 11일 (토) 04:49 판
22번째 줄:		22번째 줄:

	==Story Map==		==Story Map==
		+	*[[S2024-G014\| Global Witnesses: Foreign Eyes on Gwangju's Struggle]]
		+	** [[E2024-G085\|Tales from the Outside: Foreign Witnesses' Accounts of the May 18 Democratic Uprising]]
		+	** [[E2024-G096\|Journalist Jürgen Hinzpeter: Showing the May 18 Democratic Uprising to the World]]
		+	** [[E2024-G101\|Japanese Artist Tomiyama Taeko: A Voice Against Imperialism]]
		+	** [[E2024-G103\|Zainichi Collector of Minjung Art and More: Ha Jung-woong]]

	[[분류:Story]] [[분류:이야기 조각]] [[분류:린지]]		[[분류:Story]] [[분류:이야기 조각]] [[분류:린지]]

@@ 3번째 줄: / 3번째 줄: @@
 == Narrative ==
-[[도미야마_다에코|Tomiyama Taeko (1921-2021)]] (富山妙子) was a prominent Japanese artist who used her work to critique imperialism. Her art encompassed events like the [[5.18민주화운동|May 18 Democratic Uprising]], where the citizens of Gwangju, South Korea, stood against military dictatorship in 1980. Inspired by the Korean poet [[김지하|Kim Chi Ha (1941-2022)]], Tomiyama's art linked historical injustices with present activism. Tomiyama's connection to [[민중미술|Minjung art]] reflects her engagement with social issues, exploring themes of struggle and resistance. Her woodcut print piece [[광주의_피에타|“Pieta in Kwangju”]] exemplifies this by depicting the trials and hopes of the democratic uprising. It is one of five works in her [[Prayer_in_Memory-Kwangju,_May_1980|“Prayer in Memory-Kwangju, May 1980”]] (1980), which captures the spirit of this democratic resistance and was exhibited as part of the 3rd [[광주비엔날레|Gwangju Biennale]].  In addition to her woodcut prints, her depiction of [[일본군_위안부_피해자|comfort women victims of the Japanese army]] in visual works like her two-work painting series [[A_Memory_of_the_Sea|“A Memory of the Sea”]] (1986) underscore her dedication to storytelling about struggle and memory of womens' lives under Japanese imperialism.
+[[도미야마_다에코|Tomiyama Taeko (1921-2021)]] (富山妙子) was a prominent Japanese artist who used her work to critique imperialism. Her art encompassed events like the [[5.18민주화운동|May 18 Democratic Uprising]], where the citizens of Gwangju, South Korea, stood against military dictatorship in 1980. Inspired by the Korean poet [[김지하|Kim Chi Ha (1941-2022)]], Tomiyama’s art linked historical injustices with present activism. Tomiyama’s connection to [[민중미술|Minjung art]] reflects her engagement with social issues, exploring themes of struggle and resistance. Her woodcut print piece [[광주의_피에타|“Pieta in Kwangju”]] exemplifies this by depicting the trials and hopes of the democratic uprising. It is one of five works in her [[Prayer_in_Memory-Kwangju,_May_1980|“Prayer in Memory-Kwangju, May 1980”]] (1980), which captures the spirit of this democratic resistance and was exhibited as part of the 3rd [[광주비엔날레|Gwangju Biennale]].  In addition to her woodcut prints, her depiction of [[일본군_위안부_피해자|comfort women victims of the Japanese army]] in visual works like her two-work painting series [[A_Memory_of_the_Sea|“A Memory of the Sea”]] (1986) underscore her dedication to storytelling about struggle and memory of womens’ lives under Japanese imperialism.
 ==Network Graph==

@@ 3번째 줄: / 3번째 줄: @@
 == Narrative ==
-[[도미야마_다에코|Tomiyama Taeko (富山妙子, 1921-2021)]] was a prominent Japanese artist who used her work to critique imperialism. Her art encompassed events like the [[5.18민주화운동|May 18 Democratic Uprising]], where the citizens of Gwangju, South Korea, stood against military dictatorship in 1980. Inspired by the Korean poet [[김지하|Kim Chi Ha (1941-2022)]], Tomiyama's art linked historical injustices with present activism. Tomiyama's connection to [[민중미술|Minjung art]] reflects her engagement with social issues, exploring themes of struggle and resistance. Her woodcut print piece "Gwangju's Pieta" exemplifies this by depicting the trials and hopes of the democratic uprising. It is one of five works in her "Prayer in Memory-Kwangju, May 1980" series (1980), which captures the spirit of this democratic resistance and was exhibited as part of the 3rd [[광주비엔날레|Gwangju Biennale]].  In addition to her woodcut prints, her depiction of Japanese military comfort women in visual works like her two-work painting series "A Memory of the Sea" (1986) underscore her dedication to storytelling about struggle and memory of womens' lives under Japanese imperialism.
+[[도미야마_다에코|Tomiyama Taeko (1921-2021)]] (富山妙子) was a prominent Japanese artist who used her work to critique imperialism. Her art encompassed events like the [[5.18민주화운동|May 18 Democratic Uprising]], where the citizens of Gwangju, South Korea, stood against military dictatorship in 1980. Inspired by the Korean poet [[김지하|Kim Chi Ha (1941-2022)]], Tomiyama's art linked historical injustices with present activism. Tomiyama's connection to [[민중미술|Minjung art]] reflects her engagement with social issues, exploring themes of struggle and resistance. Her woodcut print piece [[광주의_피에타|“Pieta in Kwangju”]] exemplifies this by depicting the trials and hopes of the democratic uprising. It is one of five works in her [[Prayer_in_Memory-Kwangju,_May_1980|“Prayer in Memory-Kwangju, May 1980”]] (1980), which captures the spirit of this democratic resistance and was exhibited as part of the 3rd [[광주비엔날레|Gwangju Biennale]].  In addition to her woodcut prints, her depiction of [[일본군_위안부_피해자|comfort women victims of the Japanese army]] in visual works like her two-work painting series [[A_Memory_of_the_Sea|“A Memory of the Sea”]] (1986) underscore her dedication to storytelling about struggle and memory of womens' lives under Japanese imperialism.
 ==Network Graph==

@@ 3번째 줄: / 3번째 줄: @@
 == Narrative ==
-[[도미야마_다에코|Tomiyama Taeko (富山妙子, 1921-2021)]] was a prominent Japanese artist who used her work to critique imperialism. Her art encompassed events like the [[5.18민주화운동|May 18 Democratic Uprising]], where the citizens of Gwangju, South Korea, stood against military dictatorship in 1980. Inspired by the Korean poet [[김지하|Kim Chi Ha (1941-2022)]], Tomiyama's art linked historical injustices with present activism. Tomiyama's connection to [[민중미술|Minjung art]] reflects her engagement with social issues, exploring themes of struggle and resistance. Her woodcut print piece "Gwangju's Pieta" exemplifies this by depicting the trials and hopes of the democratic uprising. It is one of five works in her "Prayer in Memory-Kwangju, May 1980" series (1980), which captures the spirit of this democratic resistance and was exhibited as part of the 3rd [[광주비엔날레Gwangju Biennale]].  In addition to her woodcut prints, her depiction of Japanese military comfort women in visual works like her two-work painting series "A Memory of the Sea" (1986) underscore her dedication to storytelling about struggle and memory of womens' lives under Japanese imperialism.
+[[도미야마_다에코|Tomiyama Taeko (富山妙子, 1921-2021)]] was a prominent Japanese artist who used her work to critique imperialism. Her art encompassed events like the [[5.18민주화운동|May 18 Democratic Uprising]], where the citizens of Gwangju, South Korea, stood against military dictatorship in 1980. Inspired by the Korean poet [[김지하|Kim Chi Ha (1941-2022)]], Tomiyama's art linked historical injustices with present activism. Tomiyama's connection to [[민중미술|Minjung art]] reflects her engagement with social issues, exploring themes of struggle and resistance. Her woodcut print piece "Gwangju's Pieta" exemplifies this by depicting the trials and hopes of the democratic uprising. It is one of five works in her "Prayer in Memory-Kwangju, May 1980" series (1980), which captures the spirit of this democratic resistance and was exhibited as part of the 3rd [[광주비엔날레|Gwangju Biennale]].  In addition to her woodcut prints, her depiction of Japanese military comfort women in visual works like her two-work painting series "A Memory of the Sea" (1986) underscore her dedication to storytelling about struggle and memory of womens' lives under Japanese imperialism.
 ==Network Graph==

← 이전 판		2025년 7월 12일 (토) 09:19 판
3번째 줄:		3번째 줄:

	== Narrative ==		== Narrative ==
		+	Tomiyama Taeko was a prominent Japanese artist who used her work to critique imperialism. Her art encompassed events like the May 18 Democratic Uprising, where the citizens of Gwangju, South Korea, stood against military dictatorship in 1980. Her work "Prayer in Memory-Kwangju, May 1980" captures the spirit of this democratic resistance and was exhibited as part of the 3rd Gwangju Biennale. Tomiyama's connection to Minjung Art reflects her engagement with social issues, exploring themes of struggle and resistance. Her woodcut print piece "Gwangju's Pieta" exemplifies this by depicting the trials and hopes of the Democratic Uprising. Inspired by the poet Kim Ji-ha, Tomiyama's art linked historical injustices with present activism. In addition to her woodcut prints, her depiction of Japanese military comfort women in visual works like "A Memory of the Sea" underscore her dedication to storytelling about struggle and memory of womens' lives under Japanese imperialism.

	==Network Graph==		==Network Graph==

E2024-G101 - 편집 역사

Lyndsey: /* Story Map */

Lyndsey: /* Story Map */

Lyndsey: /* Narrative */

Lyndsey: /* Narrative */

2025년 7월 13일 (일) 10:00에 Lyndsey님의 편집

2025년 7월 13일 (일) 09:59에 Lyndsey님의 편집

Lyndsey: /* Narrative */

Lyndsey: 새 문서: __NOTOC__ =Japanese Artist Tomiyama Taeko: A Voice Against Imperialism= == Narrative == ==Network Graph== {{StoryGraph2 | title= E2024-G101 }} ==Story Map== 분류:Story 분...

Lyndsey: 새 문서: NOTOC =Japanese Artist Tomiyama Taeko: A Voice Against Imperialism= == Narrative == ==Network Graph== {{StoryGraph2 | title= E2024-G101 }} ==Story Map== 분류:Story 분...