E2024-G002 - 편집 역사

2025년 10월 6일 (월) 07:18에 강혜원님의 편집

2025-10-06T07:18:16Z

2025년 10월 6일 (월) 07:13에 강혜원님의 편집

2025-10-06T07:13:37Z

강혜원: /* Narrative */

2025-08-13T03:27:44Z

‎Narrative

2025년 8월 13일 (수) 03:27에 강혜원님의 편집

2025-08-13T03:27:30Z

강혜원: /* Story Map */

2025-07-08T02:10:53Z

‎Story Map

강혜원: /* Narrative */

2025-06-27T01:05:09Z

‎Narrative

2025년 6월 24일 (화) 01:24에 강혜원님의 편집

2025-06-24T01:24:28Z

2025년 6월 23일 (월) 12:33에 강혜원님의 편집

2025-06-23T12:33:50Z

강혜원: /* Narrative */

2025-06-23T11:42:43Z

‎Narrative

2025년 6월 23일 (월) 11:35에 강혜원님의 편집

2025-06-23T11:35:59Z

@@ 3번째 줄: / 3번째 줄: @@
 == Narrative ==
-[[광주협률사|Gwangju Hyumnyulsa]] was established in 1912 as a traditional music performance group with the mission of promoting Korean traditional music in the Jeolla-do region. Following the closure of Korea’s first national theater, [[협률사|Hyumnyulsa]] in Seoul, in 1906, artists dispersed to the provinces to form new performance groups. During this period, approximately 50 notable masters and singers, including [[김창환|Kim Chang-hwan (1855-1937)]], [[김채만|Kim Chae-man (1865-1911)]], and [[강용환|Kang Yong-hwan (1865-1938)]], came together in the Jeolla-do region to form the Kim [[김창환협률사|Chang-hwan Hyumnyulsa]]. However, after disbanding in 1910, Kim Chae-man’s disciples came together once more to establish Gwangju Hyumnyulsa. This effort was driven by the masters’ desire to sustain their artistic legacy and popularize traditional Korean music. Gwangju Hyumnyulsa made significant contributions to the community by performing traditional music, such as [[판소리|''pansori'']], the Korean epic chant. Disciples of Kim Chae-man, such as [[박동실|Bak Dong-sil (1897-1968)]] and [[박화섭|Bak Hwa-seop (1888-1939)]], emerged as prominent figures within the group. Alongside other renowned singers, they presented various ''pansori'' works, including [[춘향가|<i>Chunhyangga</i> (The Story of Chunhyang)]], offering profound emotional experiences to audiences. Gwangju Hyumnyulsa served as an invaluable platform for artists to showcase their talents and connect with their audiences. Their efforts were instrumental in spreading the allure of ''pansori'' and fostering a strengthened sense of unity among the singers. Although Gwangju Hyumnyulsa disbanded around 1920, its artistic accomplishments and spirit of camaraderie remain deeply etched in ''pansori'' history. The group is still remembered as a vibrant space for artistic exchange, rooted in the passion of singers dedicated to traditional music.
+[[광주협률사|Gwangju Hyumnyulsa]] was established in 1912 as a traditional music performance group with the mission of promoting Korean traditional music in the Jeolla-do region. Following the closure of Korea’s first national theater, [[협률사|Hyumnyulsa]] in Seoul, in 1906, artists dispersed to the provinces to form new performance groups. During this period, approximately 50 notable masters and singers, including [[김창환|Kim Chang-hwan (1855-1937)]], [[김채만|Kim Chae-man (1865-1911)]], and [[강용환|Kang Yong-hwan (1865-1938)]], came together in the Jeolla-do region to form the Kim [[김창환협률사|Chang-hwan Hyumnyulsa]]. However, after disbanding in 1910, Kim Chae-man’s disciples came together once more to establish Gwangju Hyumnyulsa. This effort was driven by the masters’ desire to sustain their artistic legacy and popularize traditional Korean music. Gwangju Hyumnyulsa made significant contributions to the community by performing traditional music, such as [[판소리|<i>pansori</i>]], the Korean epic chant. Disciples of Kim Chae-man, such as [[박동실|Bak Dong-sil (1897-1968)]] and [[박화섭|Bak Hwa-seop (1888-1939)]], emerged as prominent figures within the group. Alongside other renowned singers, they presented various <i>pansori</i> works, including [[춘향가|<i>Chunhyangga</i> (The Story of Chunhyang)]], offering profound emotional experiences to audiences. Gwangju Hyumnyulsa served as an invaluable platform for artists to showcase their talents and connect with their audiences. Their efforts were instrumental in spreading the allure of <i>pansori</i> and fostering a strengthened sense of unity among the singers. Although Gwangju Hyumnyulsa disbanded around 1920, its artistic accomplishments and spirit of camaraderie remain deeply etched in <i>pansori</i> history. The group is still remembered as a vibrant space for artistic exchange, rooted in the passion of singers dedicated to traditional music.
 ==Network Graph==
@@ 12번째 줄: / 12번째 줄: @@
 ** [[E2024-G001|Gwangju Gwonbeon: Inheriting the Legacy of Korean Traditional Performing Arts]]
 ** [[E2024-G002|Gwangju Hyeomnyulsa: The Stage of Korea’s Pansori Masters ]]
-** [[E2024-G003|''The Songs of Patriotic Martyrs'' (Yeolsaga): The Beginning of Contemporary Creative Pansori]]
+** [[E2024-G003|<i>Yeolsaga</i> (The Songs of Patriotic Martyrs): The Beginning of Contemporary Creative Pansori]]
-** [[E2024-G004|Echoes of ''Seopyeonje'': Transforming Tradition into Culture]]
+** [[E2024-G004|Echoes of <i>Seopyeonje</i>: Transforming Tradition into Culture]]

@@ 3번째 줄: / 3번째 줄: @@
 == Narrative ==
-[[광주협률사|Gwangju Hyumnyulsa]] was established in 1912 as a traditional music performance group with the mission of promoting Korean traditional music in the Jeolla-do region. Following the closure of Korea’s first national theater, [[협률사|Hyumnyulsa]] in Seoul, in 1906, artists dispersed to the provinces to form new performance groups. During this period, approximately 50 notable masters and singers, including [[김창환|Kim Chang-hwan (1855-1937)]], [[김채만|Kim Chae-man (1865-1911)]], and [[강용환|Kang Yong-hwan (1865-1938)]], came together in the Jeolla-do region to form the Kim [[김창환협률사|Chang-hwan Hyumnyulsa]]. However, after disbanding in 1910, Kim Chae-man’s disciples came together once more to establish Gwangju Hyumnyulsa. This effort was driven by the masters’ desire to sustain their artistic legacy and popularize traditional Korean music. Gwangju Hyumnyulsa made significant contributions to the community by performing traditional music, such as [[판소리|''pansori'']], the Korean epic chant. Disciples of Kim Chae-man, such as [[박동실|Bak Dong-sil (1897-1968)]] and [[박화섭|Bak Hwa-seop (1888-1939)]], emerged as prominent figures within the group. Alongside other renowned singers, they presented various ''pansori'' works, including [[춘향가|<i>The Story of Chunhyang</i> (Chunhyangga)]], offering profound emotional experiences to audiences. Gwangju Hyumnyulsa served as an invaluable platform for artists to showcase their talents and connect with their audiences. Their efforts were instrumental in spreading the allure of ''pansori'' and fostering a strengthened sense of unity among the singers. Although Gwangju Hyumnyulsa disbanded around 1920, its artistic accomplishments and spirit of camaraderie remain deeply etched in ''pansori'' history. The group is still remembered as a vibrant space for artistic exchange, rooted in the passion of singers dedicated to traditional music.
+[[광주협률사|Gwangju Hyumnyulsa]] was established in 1912 as a traditional music performance group with the mission of promoting Korean traditional music in the Jeolla-do region. Following the closure of Korea’s first national theater, [[협률사|Hyumnyulsa]] in Seoul, in 1906, artists dispersed to the provinces to form new performance groups. During this period, approximately 50 notable masters and singers, including [[김창환|Kim Chang-hwan (1855-1937)]], [[김채만|Kim Chae-man (1865-1911)]], and [[강용환|Kang Yong-hwan (1865-1938)]], came together in the Jeolla-do region to form the Kim [[김창환협률사|Chang-hwan Hyumnyulsa]]. However, after disbanding in 1910, Kim Chae-man’s disciples came together once more to establish Gwangju Hyumnyulsa. This effort was driven by the masters’ desire to sustain their artistic legacy and popularize traditional Korean music. Gwangju Hyumnyulsa made significant contributions to the community by performing traditional music, such as [[판소리|''pansori'']], the Korean epic chant. Disciples of Kim Chae-man, such as [[박동실|Bak Dong-sil (1897-1968)]] and [[박화섭|Bak Hwa-seop (1888-1939)]], emerged as prominent figures within the group. Alongside other renowned singers, they presented various ''pansori'' works, including [[춘향가|<i>Chunhyangga</i> (The Story of Chunhyang)]], offering profound emotional experiences to audiences. Gwangju Hyumnyulsa served as an invaluable platform for artists to showcase their talents and connect with their audiences. Their efforts were instrumental in spreading the allure of ''pansori'' and fostering a strengthened sense of unity among the singers. Although Gwangju Hyumnyulsa disbanded around 1920, its artistic accomplishments and spirit of camaraderie remain deeply etched in ''pansori'' history. The group is still remembered as a vibrant space for artistic exchange, rooted in the passion of singers dedicated to traditional music.
 ==Network Graph==

@@ 3번째 줄: / 3번째 줄: @@
 == Narrative ==
-[[광주협률사|Gwangju Hyumnyulsa]] was established in 1912 as a traditional music performance group with the mission of promoting Korean traditional music in the Jeolla-do region. Following the closure of Korea’s first national theater, [[협률사|Hyumnyulsa]] in Seoul, in 1906, artists dispersed to the provinces to form new performance groups. During this period, approximately 50 notable masters and singers, including [[김창환|Kim Chang-hwan (1855-1937)]], [[김채만|Kim Chae-man (1865-1911)]], and [[강용환|Kang Yong-hwan (1865-1938)]], came together in the Jeolla-do region to form the Kim [[김창환협률사|Chang-hwan Hyumnyulsa]]. However, after disbanding in 1910, Kim Chae-man’s disciples came together once more to establish Gwangju Hyumnyulsa. This effort was driven by the masters’ desire to sustain their artistic legacy and popularize traditional Korean music. Gwangju Hyumnyulsa made significant contributions to the community by performing traditional music, such as [[판소리|''pansori'']], the Korean epic chant. Disciples of Kim Chae-man, such as [[박동실|Bak Dong-sil (1897-1968)]] and [[박화섭|Bak Hwa-seop (1888-1939)]], emerged as prominent figures within the group. Alongside other renowned singers, they presented various ''pansori'' works, including [[춘향가|<i>The Story of Chunhyang<i> (Chunhyangga)]], offering profound emotional experiences to audiences. Gwangju Hyumnyulsa served as an invaluable platform for artists to showcase their talents and connect with their audiences. Their efforts were instrumental in spreading the allure of ''pansori'' and fostering a strengthened sense of unity among the singers. Although Gwangju Hyumnyulsa disbanded around 1920, its artistic accomplishments and spirit of camaraderie remain deeply etched in ''pansori'' history. The group is still remembered as a vibrant space for artistic exchange, rooted in the passion of singers dedicated to traditional music.
+[[광주협률사|Gwangju Hyumnyulsa]] was established in 1912 as a traditional music performance group with the mission of promoting Korean traditional music in the Jeolla-do region. Following the closure of Korea’s first national theater, [[협률사|Hyumnyulsa]] in Seoul, in 1906, artists dispersed to the provinces to form new performance groups. During this period, approximately 50 notable masters and singers, including [[김창환|Kim Chang-hwan (1855-1937)]], [[김채만|Kim Chae-man (1865-1911)]], and [[강용환|Kang Yong-hwan (1865-1938)]], came together in the Jeolla-do region to form the Kim [[김창환협률사|Chang-hwan Hyumnyulsa]]. However, after disbanding in 1910, Kim Chae-man’s disciples came together once more to establish Gwangju Hyumnyulsa. This effort was driven by the masters’ desire to sustain their artistic legacy and popularize traditional Korean music. Gwangju Hyumnyulsa made significant contributions to the community by performing traditional music, such as [[판소리|''pansori'']], the Korean epic chant. Disciples of Kim Chae-man, such as [[박동실|Bak Dong-sil (1897-1968)]] and [[박화섭|Bak Hwa-seop (1888-1939)]], emerged as prominent figures within the group. Alongside other renowned singers, they presented various ''pansori'' works, including [[춘향가|<i>The Story of Chunhyang</i> (Chunhyangga)]], offering profound emotional experiences to audiences. Gwangju Hyumnyulsa served as an invaluable platform for artists to showcase their talents and connect with their audiences. Their efforts were instrumental in spreading the allure of ''pansori'' and fostering a strengthened sense of unity among the singers. Although Gwangju Hyumnyulsa disbanded around 1920, its artistic accomplishments and spirit of camaraderie remain deeply etched in ''pansori'' history. The group is still remembered as a vibrant space for artistic exchange, rooted in the passion of singers dedicated to traditional music.
 ==Network Graph==

@@ 3번째 줄: / 3번째 줄: @@
 == Narrative ==
-[[광주협률사|Gwangju Hyumnyulsa]] was established in 1912 as a traditional music performance group with the mission of promoting Korean traditional music in the Jeolla-do region. Following the closure of Korea’s first national theater, [[협률사|Hyumnyulsa]] in Seoul, in 1906, artists dispersed to the provinces to form new performance groups. During this period, approximately 50 notable masters and singers, including [[김창환|Kim Chang-hwan (1855-1937)]], [[김채만|Kim Chae-man (1865-1911)]], and [[강용환|Kang Yong-hwan (1865-1938)]], came together in the Jeolla-do region to form the Kim [[김창환협률사|Chang-hwan Hyumnyulsa]]. However, after disbanding in 1910, Kim Chae-man’s disciples came together once more to establish Gwangju Hyumnyulsa. This effort was driven by the masters’ desire to sustain their artistic legacy and popularize traditional Korean music. Gwangju Hyumnyulsa made significant contributions to the community by performing traditional music, such as [[판소리|''pansori'']], the Korean epic chant. Disciples of Kim Chae-man, such as [[박동실|Bak Dong-sil (1897-1968)]] and [[박화섭|Bak Hwa-seop (1888-1939)]], emerged as prominent figures within the group. Alongside other renowned singers, they presented various ''pansori'' works, including [[춘향가|''The Story of Chunhyang'' (Chunhyangga)]], offering profound emotional experiences to audiences. Gwangju Hyumnyulsa served as an invaluable platform for artists to showcase their talents and connect with their audiences. Their efforts were instrumental in spreading the allure of ''pansori'' and fostering a strengthened sense of unity among the singers. Although Gwangju Hyumnyulsa disbanded around 1920, its artistic accomplishments and spirit of camaraderie remain deeply etched in ''pansori'' history. The group is still remembered as a vibrant space for artistic exchange, rooted in the passion of singers dedicated to traditional music.
+[[광주협률사|Gwangju Hyumnyulsa]] was established in 1912 as a traditional music performance group with the mission of promoting Korean traditional music in the Jeolla-do region. Following the closure of Korea’s first national theater, [[협률사|Hyumnyulsa]] in Seoul, in 1906, artists dispersed to the provinces to form new performance groups. During this period, approximately 50 notable masters and singers, including [[김창환|Kim Chang-hwan (1855-1937)]], [[김채만|Kim Chae-man (1865-1911)]], and [[강용환|Kang Yong-hwan (1865-1938)]], came together in the Jeolla-do region to form the Kim [[김창환협률사|Chang-hwan Hyumnyulsa]]. However, after disbanding in 1910, Kim Chae-man’s disciples came together once more to establish Gwangju Hyumnyulsa. This effort was driven by the masters’ desire to sustain their artistic legacy and popularize traditional Korean music. Gwangju Hyumnyulsa made significant contributions to the community by performing traditional music, such as [[판소리|''pansori'']], the Korean epic chant. Disciples of Kim Chae-man, such as [[박동실|Bak Dong-sil (1897-1968)]] and [[박화섭|Bak Hwa-seop (1888-1939)]], emerged as prominent figures within the group. Alongside other renowned singers, they presented various ''pansori'' works, including [[춘향가|<i>The Story of Chunhyang<i> (Chunhyangga)]], offering profound emotional experiences to audiences. Gwangju Hyumnyulsa served as an invaluable platform for artists to showcase their talents and connect with their audiences. Their efforts were instrumental in spreading the allure of ''pansori'' and fostering a strengthened sense of unity among the singers. Although Gwangju Hyumnyulsa disbanded around 1920, its artistic accomplishments and spirit of camaraderie remain deeply etched in ''pansori'' history. The group is still remembered as a vibrant space for artistic exchange, rooted in the passion of singers dedicated to traditional music.
 ==Network Graph==

@@ 13번째 줄: / 13번째 줄: @@
 ** [[E2024-G002|Gwangju Hyeomnyulsa: The Stage of Korea’s Pansori Masters ]]
 ** [[E2024-G003|''The Songs of Patriotic Martyrs'' (Yeolsaga): The Beginning of Contemporary Creative Pansori]]
 [[분류:Story]] [[분류:이야기 조각]] [[분류:강혜원]]

@@ 3번째 줄: / 3번째 줄: @@
 == Narrative ==
-Gwangju Hyumnyulsa was established in 1912 as a traditional music performance group with the mission of promoting Korean traditional music in the Jeolla-do region. Following the closure of Korea’s first national theater, Hyumnyulsa in Seoul, in 1906, artists dispersed to the provinces to form new performance groups. During this period, approximately 50 notable masters and singers, including Kim Chang-hwan (1855-1937), Kim Chae-man (1865-1911), and Kang Yong-hwan (1865-1938), came together in the Jeolla-do region to form the Kim Chang-hwan Hyumnyulsa. However, after disbanding in 1910, Kim Chae-man’s disciples came together once more to establish Gwangju Hyumnyulsa. This effort was driven by the masters’ desire to sustain their artistic legacy and popularize traditional Korean music. Gwangju Hyumnyulsa made significant contributions to the community by performing traditional music, such as ''pansori'', the Korean epic chant. Disciples of Kim Chae-man, such as Bak Dong-sil (1897-1968) and Bak Hwa-seop (1888-1939), emerged as prominent figures within the group. Alongside other renowned singers, they presented various ''pansori'' works, including ''Chunhyangga'' (The Story of Chunhyang), offering profound emotional experiences to audiences. Gwangju Hyumnyulsa served as an invaluable platform for artists to showcase their talents and connect with their audiences. Their efforts were instrumental in spreading the allure of ''pansori'' and fostering a strengthened sense of unity among the singers. Although Gwangju Hyumnyulsa disbanded around 1920, its artistic accomplishments and spirit of camaraderie remain deeply etched in ''pansori'' history. The group is still remembered as a vibrant space for artistic exchange, rooted in the passion of singers dedicated to traditional music.
+[[광주협률사|Gwangju Hyumnyulsa]] was established in 1912 as a traditional music performance group with the mission of promoting Korean traditional music in the Jeolla-do region. Following the closure of Korea’s first national theater, [[협률사|Hyumnyulsa]] in Seoul, in 1906, artists dispersed to the provinces to form new performance groups. During this period, approximately 50 notable masters and singers, including [[김창환|Kim Chang-hwan (1855-1937)]], [[김채만|Kim Chae-man (1865-1911)]], and [[강용환|Kang Yong-hwan (1865-1938)]], came together in the Jeolla-do region to form the Kim [[김창환협률사|Chang-hwan Hyumnyulsa]]. However, after disbanding in 1910, Kim Chae-man’s disciples came together once more to establish Gwangju Hyumnyulsa. This effort was driven by the masters’ desire to sustain their artistic legacy and popularize traditional Korean music. Gwangju Hyumnyulsa made significant contributions to the community by performing traditional music, such as [[판소리|''pansori'']], the Korean epic chant. Disciples of Kim Chae-man, such as [[박동실|Bak Dong-sil (1897-1968)]] and [[박화섭|Bak Hwa-seop (1888-1939)]], emerged as prominent figures within the group. Alongside other renowned singers, they presented various ''pansori'' works, including [[춘향가|''Chunhyangga'' (The Story of Chunhyang)]], offering profound emotional experiences to audiences. Gwangju Hyumnyulsa served as an invaluable platform for artists to showcase their talents and connect with their audiences. Their efforts were instrumental in spreading the allure of ''pansori'' and fostering a strengthened sense of unity among the singers. Although Gwangju Hyumnyulsa disbanded around 1920, its artistic accomplishments and spirit of camaraderie remain deeply etched in ''pansori'' history. The group is still remembered as a vibrant space for artistic exchange, rooted in the passion of singers dedicated to traditional music.
-==Story Network Graph==
+==Network Graph==
 {{StoryGraph2 | title= E2024-G002 }}

@@ 7번째 줄: / 7번째 줄: @@
 ==Story Network Graph==
 {{StoryGraph2 | title= E2024-G002 }}
 ==Story Map==
-* [[S2024- |빛고을 광주의 랜드마크 국립아시아문화전당]]
+* [[S2024-G001| Gwangju Echoes: Inheriting Art, Telling History]]
-** [[E2024-L009|비극의 현장을 끌어안은 건축, 빛의 숲 국립아시아문화전당]]
+** [[E2024-G001|Gwangju Gwonbeon: Inheriting the Legacy of Korean Traditional Performing Arts]]
-** [[E2024-L010|비밀의 화원 국립아시아문화전당]]
+** [[E2024-G002|Gwangju Hyeomnyulsa: The Stage of Korea’s Pansori Masters ]]
-** [[E2024-L011|아시아 문화수도를 꿈꾸는 빛고을 광주]]
+** [[E2024-G003|''The Songs of Patriotic Martyrs'' (Yeolsaga): The Beginning of Contemporary Creative Pansori]]
 [[분류:Story]] [[분류:이야기 조각]] [[분류:강혜원]]

@@ 1번째 줄: / 1번째 줄: @@
 __NOTOC__
-=광주협률사=
+=Gwangju Hyeomnyulsa: The Stage of Korea’s Pansori Masters=
 == Narrative ==
+Gwangju Hyumnyulsa is a traditional music performance group established in 1912 with the aim of promoting Korean traditional music in the Jeolla-do region. After Korea’s first national theater, Hyupnyulsa in Seoul, closed its doors in 1906, artists dispersed to the provinces to form new performance groups. During this time, in the Jeolla-do region, about 50 notable masters and singers, including Kim Chang-hwan (1855-1937), Kim Chae-man (1865-1911), and Kang Yong-hwan (1865-1938), gathered to form the Kim Chang-hwan Hyumnyulsa. However, after this group disbanded in 1910, Kim Chae-man’s disciples rallied again and established the new group, Gwangju Hyumnyulsa, in 1912. This effort was initiated by the masters’ desire to continue their artistic heritage and popularize traditional Korean music. Gwangju Hyumnyulsa made significant contributions to the community by performing traditional music, such as ''pansori'', or the epic chant of Korea. Kim Chae-man’s disciples, Bak Dong-sil (1897-1968) and Bak Hwa-seop (1888-1939), emerged as prominent figures in the group. Together with other renowned singers, they presented various ''pansori'' works, including Chunhyangga (Story of Chunhyang), bringing profound emotional experiences to audiences. Gwangju Hyumnyulsa served as a valuable platform for artists to showcase their talents and connect with audiences. Their efforts played a crucial role in spreading the charm of ''pansori'' and strengthening the sense of solidarity among the singers. Although Gwangju Hyumnyulsa disbanded around 1920, the artistic achievements and spirit of camaraderie they fostered remain deeply etched in the history of ''pansori''. The group is still remembered as a space of artistic exchange, born from the passion of singers dedicated to traditional music.
 ==Story Network Graph==