E2024-G001 - 편집 역사

Lyndsey: /* Narrative */

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‎Narrative

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강혜원: /* 광주권번, 예인의 맥을 잇다 */

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‎광주권번, 예인의 맥을 잇다

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강혜원: 새 문서: NOTOC =광주권번, 예인의 맥을 잇다= == 이야기 == == 스토리 그래프 == {{StoryGraph2 | title= E2024-G001 }} == 참고자료 == {|class="wikitable" style="wid...

2025-06-23T01:35:20Z

새 문서: __NOTOC__ =광주권번, 예인의 맥을 잇다= == 이야기 == == 스토리 그래프 == {{StoryGraph2 | title= E2024-G001 }} == 참고자료 == {|class="wikitable" style="wid...

새 문서

__NOTOC__
=광주권번, 예인의 맥을 잇다=

== 이야기 ==

== 스토리 그래프 ==
{{StoryGraph2 | title= E2024-G001 }}

== 참고자료 ==
{|class="wikitable" style="width:98%;word-break:break-all;"
! type || resource || title || description/caption || URL
|-
| 해설 || 디지털광주문화대전 ||문화수도를 꿈꾸는 국립아시아문화전당 || || http://aks.ai/GC60005074
|-
| 해설 || 국립아시아문화전당 || 주요사업 || ||https://www.acc.go.kr/main/contents.do?PID=0501
|-
| 논문 || KISS ||‘아시아 전통 오케스트라’ 사업의 문화 교류 성과에 대한 고찰 - 아시아문화중심도시 백서를 중심으로 || ||http://kiss.kstudy.com.ssl.openlink.aks.ac.kr:8080/Detail/Ar?key=4031212
|-
|}

==이야기 지도==
* [[S2024- |빛고을 광주의 랜드마크 국립아시아문화전당]]
** [[E2024-L009|비극의 현장을 끌어안은 건축, 빛의 숲 국립아시아문화전당]]
** [[E2024-L010|비밀의 화원 국립아시아문화전당]]
** [[E2024-L011|아시아 문화수도를 꿈꾸는 빛고을 광주]]

[[분류:Story]] [[분류:이야기 조각]] [[분류:강혜원]]

@@ 3번째 줄: / 3번째 줄: @@
 == Narrative ==
-[[광주권번|Gwangju Gwonbeon (Institute for Female Professional Entertainers)]] originated from the [[광주예기조합|Association of Gwangju Female Entertainers]] and served as both a gathering place for traditional artists and an art school in the Gwangju area. This institute made significant contributions to the cultivation and preservation of Korean traditional arts such as [[판소리|<i>pansori</i>]] and dance, with impacts that resonate to this day. <i>Pansori</i> master [[박동실|Bak Dong-sil (1897-1968)]] nurtured many successors, including [[공대일|Gong Dae-il (1911-1990)]], [[한애순|Han Ae-sun (1924-2014)]], and [[박송희|Bak Song-hui (1927-2017)]], ensuring the continuation of traditional arts for future generations. Another esteemed <i>pansori</i> master, [[김소희|Kim So-hui (1917-1995)]], married <i>geomungo</i> instructor [[박석기|Bak Seok-gi (1899-1952)]], and their daughter [[박윤초|Bak Yun-cho (1944-)]] also emerged as a prominent <i>pansori</i> master. Bak Yun-cho further honed her skills by learning traditional dance from [[이매방|Yi Mae-bang (1925-2015)]], showcasing talent in both fields. The legacy of Gwangju Gwonbeon lives on through the [[광주국악원|Gwangju National Center for Korean Traditional Performing Arts]], which later evolved into the [[광주시립창극단|Gwangju Municipal Changgeuk Company]], maintaining its status as a hub of traditional arts. These institutions not only preserve pansori and Korean dance but also modernize and sustain various traditional arts, playing a key role as cultural assets of the region.
+[[광주권번|Gwangju Gwonbeon (Institute for Female Professional Entertainers)]] originated from the [[광주예기조합|Association of Gwangju Female Entertainers]] and served as both a gathering place for traditional artists and an art school in the Gwangju area. This institute made significant contributions to the cultivation and preservation of Korean traditional arts such as [[판소리|<i>pansori</i>]] and dance, with impacts that resonate to this day. <i>Pansori</i> master [[박동실|Bak Dong-sil (1897-1968)]] nurtured many successors, including [[공대일|Gong Dae-il (1911-1990)]], [[한애순|Han Ae-sun (1924-2014)]], and [[박송희|Bak Song-hui (1927-2017)]], ensuring the continuation of traditional arts for future generations. Another esteemed <i>pansori</i> master, [[김소희|Kim So-hui (1917-1995)]], married <i>geomungo</i> instructor [[박석기|Bak Seok-gi (1899-1952)]], and their daughter [[박윤초|Bak Yun-cho (1944-)]] also emerged as a prominent <i>pansori</i> master. Bak Yun-cho further honed her skills by learning traditional dance from [[이매방|Yi Mae-bang (1925-2015)]], showcasing talent in both fields. The legacy of Gwangju Gwonbeon lives on through the [[광주국악원|Gwangju National Center for Korean Traditional Performing Arts]], which later evolved into the [[광주시립창극단|Gwangju Municipal Changgeuk Company]], maintaining its status as a hub of traditional arts. These institutions not only preserve <i>pansori</i> and Korean dance but also modernize and sustain various traditional arts, playing a key role as cultural assets of the region.
 ==Network Graph==

@@ 3번째 줄: / 3번째 줄: @@
 == Narrative ==
-[[광주권번|Gwangju Gwonbeon (Institute for Female Professional Entertainers)]] originated from the [[광주예기조합|Association of Gwangju Female Entertainers]] and served as both a gathering place for traditional artists and an art school in the Gwangju area. This institute made significant contributions to the cultivation and preservation of Korean traditional arts such as [[판소리|''pansori'']] and dance, with impacts that resonate to this day. ''Pansori'' master [[박동실|Bak Dong-sil (1897-1968)]] nurtured many successors, including [[공대일|Gong Dae-il (1911-1990)]], [[한애순|Han Ae-sun (1924-2014)]], and [[박송희|Bak Song-hui (1927-2017)]], ensuring the continuation of traditional arts for future generations. Another esteemed ''pansori'' master, [[김소희|Kim So-hui (1917-1995)]], married ''geomungo'' instructor [[박석기|Bak Seok-gi (1899-1952)]], and their daughter [[박윤초|Bak Yun-cho (1944-)]] also emerged as a prominent ''pansori'' master. Bak Yun-cho further honed her skills by learning traditional dance from [[이매방|Yi Mae-bang (1925-2015)]], showcasing talent in both fields. The legacy of Gwangju Gwonbeon lives on through the [[광주국악원|Gwangju National Center for Korean Traditional Performing Arts]], which later evolved into the [[광주시립창극단|Gwangju Municipal Changgeuk Company]], maintaining its status as a hub of traditional arts. These institutions not only preserve pansori and Korean dance but also modernize and sustain various traditional arts, playing a key role as cultural assets of the region.
+[[광주권번|Gwangju Gwonbeon (Institute for Female Professional Entertainers)]] originated from the [[광주예기조합|Association of Gwangju Female Entertainers]] and served as both a gathering place for traditional artists and an art school in the Gwangju area. This institute made significant contributions to the cultivation and preservation of Korean traditional arts such as [[판소리|<i>pansori</i>]] and dance, with impacts that resonate to this day. <i>Pansori</i> master [[박동실|Bak Dong-sil (1897-1968)]] nurtured many successors, including [[공대일|Gong Dae-il (1911-1990)]], [[한애순|Han Ae-sun (1924-2014)]], and [[박송희|Bak Song-hui (1927-2017)]], ensuring the continuation of traditional arts for future generations. Another esteemed <i>pansori</i> master, [[김소희|Kim So-hui (1917-1995)]], married <i>geomungo</i> instructor [[박석기|Bak Seok-gi (1899-1952)]], and their daughter [[박윤초|Bak Yun-cho (1944-)]] also emerged as a prominent <i>pansori</i> master. Bak Yun-cho further honed her skills by learning traditional dance from [[이매방|Yi Mae-bang (1925-2015)]], showcasing talent in both fields. The legacy of Gwangju Gwonbeon lives on through the [[광주국악원|Gwangju National Center for Korean Traditional Performing Arts]], which later evolved into the [[광주시립창극단|Gwangju Municipal Changgeuk Company]], maintaining its status as a hub of traditional arts. These institutions not only preserve pansori and Korean dance but also modernize and sustain various traditional arts, playing a key role as cultural assets of the region.
 ==Network Graph==
@@ 12번째 줄: / 12번째 줄: @@
 ** [[E2024-G001|Gwangju Gwonbeon: Inheriting the Legacy of Korean Traditional Performing Arts]]
 ** [[E2024-G002|Gwangju Hyeomnyulsa: The Stage of Korea’s Pansori Masters ]]
-** [[E2024-G003|''The Songs of Patriotic Martyrs'' (Yeolsaga): The Beginning of Contemporary Creative Pansori]]
+** [[E2024-G003|<i>Yeolsaga</i> (The Songs of Patriotic Martyrs): The Beginning of Contemporary Creative Pansori]]
-** [[E2024-G004|Echoes of ''Seopyeonje'': Transforming Tradition into Culture]]
+** [[E2024-G004|Echoes of <i>Seopyeonje</i>: Transforming Tradition into Culture]]
 [[분류:Story]] [[분류:이야기 조각]] [[분류:강혜원]]

@@ 13번째 줄: / 13번째 줄: @@
 ** [[E2024-G002|Gwangju Hyeomnyulsa: The Stage of Korea’s Pansori Masters ]]
 ** [[E2024-G003|''The Songs of Patriotic Martyrs'' (Yeolsaga): The Beginning of Contemporary Creative Pansori]]
+** [[E2024-G004|Echoes of ''Seopyeonje'': Transforming Tradition into Culture]]
 [[분류:Story]] [[분류:이야기 조각]] [[분류:강혜원]]

@@ 3번째 줄: / 3번째 줄: @@
 == Narrative ==
-Gwangju Gwonbeon (Institute for Female Professional Entertainers) originated from the Association of Gwangju Female Entertainers and served as both a gathering place for traditional artists and an art school in the Gwangju area. This institute made significant contributions to the cultivation and preservation of Korean traditional arts such as ''pansori'' and dance, with impacts that resonate to this day. ''Pansori'' master Bak Dong-sil (1897-1968) nurtured many successors, including Gong Dae-il (1911-1990), Han Ae-sun (1924-2014), and Bak Song-hui (1927-2017), ensuring the continuation of traditional arts for future generations. Another esteemed ''pansori'' master, Kim So-hui (1917-1995), married ''geomungo'' instructor Bak Seok-gi (1899-1952), and their daughter Bak Yun-cho (1944-) also emerged as a prominent ''pansori'' master. Bak Yun-cho further honed her skills by learning traditional dance from Yi Mae-bang (1925-2015), showcasing talent in both fields. The legacy of Gwangju Gwonbeon lives on through the Gwangju National Center for Korean Traditional Performing Arts, which later evolved into the Gwangju Municipal Changgeuk Company, maintaining its status as a hub of traditional arts. These institutions not only preserve pansori and Korean dance but also modernize and sustain various traditional arts, playing a key role as cultural assets of the region.
+[[광주권번|Gwangju Gwonbeon (Institute for Female Professional Entertainers)]] originated from the [[광주예기조합|Association of Gwangju Female Entertainers]] and served as both a gathering place for traditional artists and an art school in the Gwangju area. This institute made significant contributions to the cultivation and preservation of Korean traditional arts such as [[판소리|''pansori'']] and dance, with impacts that resonate to this day. ''Pansori'' master [[박동실|Bak Dong-sil (1897-1968)]] nurtured many successors, including [[공대일|Gong Dae-il (1911-1990)]], [[한애순|Han Ae-sun (1924-2014)]], and [[박송희|Bak Song-hui (1927-2017)]], ensuring the continuation of traditional arts for future generations. Another esteemed ''pansori'' master, [[김소희|Kim So-hui (1917-1995)]], married ''geomungo'' instructor [[박석기|Bak Seok-gi (1899-1952)]], and their daughter [[박윤초|Bak Yun-cho (1944-)]] also emerged as a prominent ''pansori'' master. Bak Yun-cho further honed her skills by learning traditional dance from [[이매방|Yi Mae-bang (1925-2015)]], showcasing talent in both fields. The legacy of Gwangju Gwonbeon lives on through the [[광주국악원|Gwangju National Center for Korean Traditional Performing Arts]], which later evolved into the [[광주시립창극단|Gwangju Municipal Changgeuk Company]], maintaining its status as a hub of traditional arts. These institutions not only preserve pansori and Korean dance but also modernize and sustain various traditional arts, playing a key role as cultural assets of the region.
-==Story Network Graph==
+==Network Graph==
 {{StoryGraph2 | title= E2024-G001 }}

@@ 7번째 줄: / 7번째 줄: @@
 ==Story Network Graph==
 {{StoryGraph2 | title= E2024-G001 }}
 ==Story Map==
-* [[S2024- |빛고을 광주의 랜드마크 국립아시아문화전당]]
+* [[S2024-G001| Gwangju Echoes: Inheriting Art, Telling History]]
-** [[E2024-L009|비극의 현장을 끌어안은 건축, 빛의 숲 국립아시아문화전당]]
+** [[E2024-G001|Gwangju Gwonbeon: Inheriting the Legacy of Korean Traditional Performing Arts]]
-** [[E2024-L010|비밀의 화원 국립아시아문화전당]]
+** [[E2024-G002|Gwangju Hyeomnyulsa: The Stage of Korea’s Pansori Masters ]]
-** [[E2024-L011|아시아 문화수도를 꿈꾸는 빛고을 광주]]
+** [[E2024-G003|''The Songs of Patriotic Martyrs'' (Yeolsaga): The Beginning of Contemporary Creative Pansori]]
 [[분류:Story]] [[분류:이야기 조각]] [[분류:강혜원]]

@@ 2번째 줄: / 2번째 줄: @@
 =광주권번, 예인의 맥을 잇다=
-== 이야기 ==
+== Narrative ==
-== 스토리 그래프 ==
+==Story Network Graph==
 {{StoryGraph2 | title= E2024-G001 }}
-== 참고자료 ==
+== References ==
 {|class="wikitable" style="width:98%;word-break:break-all;"
 ! type || resource || title || description/caption || URL
@@ 22번째 줄: / 22번째 줄: @@
-==이야기 지도==
+==Story Map==
 * [[S2024- |빛고을 광주의 랜드마크 국립아시아문화전당]]
 ** [[E2024-L009|비극의 현장을 끌어안은 건축, 빛의 숲 국립아시아문화전당]]